Friday, August 10, 2012

ode to the admins - Blake Prize

the blake prize logo



Entries for the Blake Prize has officially closed on 27th of July, we have received around 1500 entries (not sure if it's an outrageous number but we're quiet proud of it)
we started processing the entries and preparing them for the judges to view before August 27th

Before the entry deadline days at the office was quiet mellow and routine, we processed the entries that we received, Stefanie (our amazing manager who runs the whole thing from her home) processes the payments and we the interns would re-size the images of the artwork in which the artist submitted. Sounds easy enough, but these task really makes one appreciate administrative work and draw to the fact that how much it is overlooked.
It's like admiring your beloved iphone for how great a job those geniuses of an scientist/ engineer at apple have achieved but overlooking the workers who welds those tiny parts together on the production line. It's an easy job, anybody with delicate hands can do it, but without them there is no way the product would come into being.

People often take administrative work for granted, since it's often seen as repetitive, data entry jobs that needs not much creativity, which is 80% true.
But we often forget to put people in the equation, people who come from all walks of life from different background, different culture, different temperate, different names different accent different understanding of the same instructions, and it complicates things a hell lot.


People amaze you
often in many different ways

Since our entries are posted (very oldschool, I know) though most entries we received are very standard and fitting to our instructions, there's sometimes gems buried in the piles. There's entries that have beautifully written artist statement, one even had a special thank you note with hand drawn flowers and little people on it.
The problem with these beautiful handwritten statements is....it's really hard for us to make out what they are trying to say most of the time...
Once an artists called to insist that he wants to take a picture of his photography and post it to us because he's scared somebody would steal his work and reproduce it, we spend quiet a bit of time trying to explain to him if he posted the picture to us we still have to scan the picture, we will still get a copy of his work and the resolution won't be as good and puts him in a compromising position during judging. Not sure if he fully understood us, since we still received an entry of a picture of a photography, I wonder if it was the same person......?

I know it seems like very trivial issues and petty complaints, all I wanted to say is working at the Blake and at the National Palace Museum as well since my main task there was very admin based, helping with the three day seminar that we were putting on, processing applications and payments.
 

Next time be nicer to our local officers and school admins
(I need to work on that too)

Thursday, August 9, 2012

Update overdue

Andy Warhol, Campbell’s Soup Cans (1962), taken at LACMA 

(no the image has nothing to do with this post, just thought I'd put something artsy just for the blogs sake.)

I started this blog months and months ago
back then I just finished my internship in Taiwan at the National Palace Museum (home of one of the biggest and best collection of ancient Chinese and Asian art/artifacts), was about to start my internship at the Blake Prize, a long running Australian art prize for religious and spiritual art (this is its 61th year!).
That was March
Now it's August
you guys can see how slack I have been
and I am deeply sorry about that!

Just a few updates on my art career pursuing life

Entries for the Blake Prize has officially closed on 27th of July, we have received around 1500 entries (not sure if it's an outrageous number but we're quiet proud of it)
we started processing the entries and preparing them for the judges to view before August 27th
There's two phases of the judging process, the first would be online remotely, then out of the thousands of entries the judges would pick out the finalist and have a face to face judging session in the SH Ervin Gallery.
Which mean the dry season for this internship is officially over, and get ready for the busy days! 

On top of that, I started another internship/ volunteer at the 4A centre for contemporary asian art
no we're not 4a gallery or A4 or asian art centre (it's confusing, I know, it's confusing for us to considering the fact we changed our name at least four times since 1996)
The first time I heard about 4a was at a talk during our management and organization course with Anna Waldmann, she invited a panel of four speakers from different art institutes, one of which is the director of 4A Aaron Seeto. It was then I learned about this tiny but wonderful institution, it's focus on promoting contemporary art and reconnecting with the community. It's special location and history intrigued me the most, with it's asian roots and location in Chinatown, I felt that if I would have started my own art institute this is what it would look like. After the talk, I approached Aaron with my heart set on getting an opportunity to work with them.
After months of persistent emails pestering them finally got an entry ticket as a volunteer at 4A!

I have to say it has been amazing! but more on that later